Fairy tales are a staple of youth and childhood. They are innocent and pure, far removed from the pain of reality. Stories meant to instill a moral code and understanding of the world into children. We all know them, but what if a story was broken? Lovable characters, bright landscapes, and a happy ending all nonexistent.

           Guillermo Del Toro’s 2006 film Pan’s Labyrinth is one of these broken tales. The film serves as a reconstruction of classical fairy tales and a commentary on the lingering horrors of the Spanish Civil War.

           Five after the Spanish Civil War, in 1944, Ofelia travels with her mother Carmen to live with her new stepfather. The man, Captain Vidal, is the leader of a fascist military force in control of the area. While there, Ofelia meets a fairy that leads her to meet a faun. The faun tells her that she is the lost princess of the Underworld, and that to return she must complete three tasks. Alongside violent battles between Vidal’s men and the rebels, Ofelia must complete the tasks while protecting her pregnant mother from outside forces.

           Pan’s Labyrinth is instantly recognizable. Del Toro’s gothic horror style is unmistakable and upholds the world of the story. The film’s environmental design, story elements, practical effects, cinematography, and character designs all echo the director’s vision. The faun character is a culmination of these elements; it is grotesque and scary while maintaining mystery and magic. The faun is otherworldly but still feels like a part of ours. A living remnant of history long forgotten. The film is impossible to create without the skill to meld these elements.

           A tale like Pan’s Labyrinth needs a stellar cast. Without capable actors to bring thoughts to life, a film is an empty shell. Ivana Baquero steals the show with a haunting performance as Ofelia. She brings innocence and wonder to the role while maintaining the grounded emotion of a child dealing with trauma. It can be difficult for child actors to grasp high concepts such as war, but Baquero succeeds with flying colors.

           An actor that is unknown to casual fans Doug Jones. Jones is a regular collaborator of Del Toro’s and plays characters that usually are monstrous. In this film, he plays the Faun and the Pale Man. He brings his signature flair and grotesque disturbing movement to the roles. Without his ability to depict the behavior of the creatures, this project would not be as great as it is.  Guillermo Del Toro and the other actors and crew will continue to garner acclaim for their parts, but the love and admiration for Doug Jones from his small group of supporters will continue to warm my heart.

           These days it can be difficult to find unique movies.  Pan’s Labyrinth is a much-needed spark for filmmakers and audiences alike; it reminds us all that the world is still full of magic.